Be sure to grab copy of Big Lonely Doug. Yes, that's right, BLD has his very own book now! Author Harley Rustad tells the tale of one of the country's largest and most iconic trees, the human stories around him, and much, much more. It also features one of my photos on the cover! You can find it at Munro's, Indigo, or online🌲 https://www.harleyrustad.com/book-big-lonely-doug/
Published and News
Stoked to see my image (bottom left) on display as part of the augmented reality installation of Big Lonely Doug from Anthropocene at the Art Gallery of Ontario! The exhibit runs until Jan 6th, 2019. Photo: Dean Tomlinson ©Art Gallery of Ontario.
See the latest CBC article about the battle for old-growth forests in BC: Money Trees - The struggle over what’s ancient, giant, valuable and dwindling in B.C.’s coastal forests
Myself and Ken Wu spent two days with journalists, taking them on an old-growth bushwhack and through clearcuts on southern Vancouver Island.
*Take note of some additional relevant facts while reading:
1) Beyond their aesthetic appeal, old-growth forests offer a host of values that second-growth tree plantations do not. They support unique and endangered species that can't flourish in second-growth (like spotted owls and mountain caribou) and are vital for tourism, clean water, wild salmon, carbon storage, and many First Nations cultures.
2) Almost the entire western world is only logging second or third-growth forests. We can and should make the full, inevitable transition to a second-growth forest industry BEFORE the last of the unprotected old-growth is logged...and quickly.
3) The BC government’s and logging industry’s stats on the status of old-growth are deceptive. Of the 520,000 hectares of old-growth that the BC government says are off-limits to logging on Vancouver Island, less than 200,000 hectares are considered productive old-growth forests and are commercially valuable. The rest consists of stands with much smaller, stunted trees at higher elevations, on steep rocky slopes, and in bogs that lack the species richness and large trees of the productive forests. Almost 79% of the productive old-growth forests on Vancouver Island have already been logged - about 1.6 million hectares out of 2 million hectares originally. For stats and maps visit https://bit.ly/2QHJAvo
4) Independent, family operated mills are not representative of the coastal forest industry. Many have been forced to close due to increases in log exports, corporate concentration, and the depletion of the biggest, best, accessible stands of ancient trees over the past 20 years. Western Forest Products, Island Timberlands, TimberWest, Teal-Jones…these are overwhelmingly the companies responsible for the vast majority of the cut on Vancouver Island.
5) The “forestry workers who want jobs vs. environmentalists who love big trees” is largely a tired old division of the 1980’s and 90’s that we have worked hard as conservationists to bridge the gap on. One of the main forestry unions, the Public and Private Workers of Canada (PPWC), representing thousands of Vancouver Island sawmill and pulp mill workers, have called for an end to old-growth logging on Vancouver Island and we’ve worked closely with forestry workers to end raw log exports, ensure a value-added second-growth forestry transition, and to save old-growth for almost two decades now.
6) Economic studies have shown that old-growth forests have a greater economic value standing than for logging when factoring in tourism, clean water and fisheries, non-timber forest products like wild mushrooms and berries, carbon value, and recreational value in southern BC. This is more true today than ever. Port Renfrew and Tofino are shining examples of communities whose economies have vastly benefited from standing, living ancient forests.
CBC Kids News: Should old-growth forests be protected? This photo gallery features some of my images of big trees and giant stumps as well.
Be sure to check out Anthropocene: The Human Epoch, the latest documentary film by the award-winning creators of Manufactured Landscapes (2006) and Watermark (2013).
The film, which had shoots in 43 locations in 20 different countries, also features scenes of Avatar Grove and old-growth logging on Vancouver Island as one of many examples of how humans are dramatically altering the natural world.
I had the amazing opportunity of guiding the crew to the big trees and big stumps around Port Renfrew over the past 2 years and it's been a great reminder that, even on a global scale, the ancient forests of BC are some of the most precious and threatened places on the planet.
The film features some of my own footage too, including recent logging in the Nahmint Valley and raw log exports in Port Alberni. For more than a decade I have looked up to renowned photographer Edward Burtynsky and I'm honoured to have worked alongside him and the rest of the talented team as well.
Read director Jennifer Baichwal's recent interview in the Times Colonist.
Below are a few behind-the-scenes snaps from our time shooting in Port Renfrew.
Take a few minutes to read this new, in-depth article by good friend and filmmaker Daniel J Pierce on the crisis in BC's forests and where we need to head. Comments from Valerie Langer, Adam Olsen, Arnold Bercov, Vicky Husband, Herb Hammond, and Ken Wu. It also features some of my photos from across Vancouver Island. Article: https://thenarwhal.ca/25-years-after-clayoquot-sound-blockades-the-war-in-the-woods-never-ended-and-its-heating-back-up/
Here are some pics from the closing night of 'From Above', an aerial photography show featuring photos from across Vancouver Island shot by Jeremy Koreski Photography, Graeme Owsianski, Christian Coxen, pilot Nick Temos, and myself. A huge thanks goes out to Nick from Pacific Northwest Collective for flying us around to all these rad places (without crashing) and for organizing the printing and framing for the show! Big thanks as well to White Sails Brewing for the delicious beers and for hosting the event + all those who came out and supported the show!